Category Archives: sean yeager

Sean Yeager Claws of Time – Chapter One – draft

www.seanyeager.comHunters Hunted Text 2l

Hi,

Here’s a sneak preview of the first chapter of Sean Yeager book three – Claws of Time. As you can see, things begin to hot up for Sean, Emily and The Foundation when Darius Deveraux arrives in London and presses on with his evil plans.

While I edit, revise and complete book three, please check out the first two books – DNA Thief and Hunters Hunted – which are available from Amazon UK, Amazon US and all major online stores. Also see the website here at: www.SeanYeager.com .

For newcomers: In Sean Yeager Adventures, two factions battle each other while shipwrecked on Earth, leaving Sean and Emily to figure out why they are involved and how to find their missing fathers. As events unfold around them Sean and Emily strive to live normal lives and find out clues about their past, present and future.

Sean Yeager Adventures are action, mystery, adventures with sci-fi and wit, set on a near-real Earth. They are written for middle grade to young adult readers (8 to 17) and upwards. If you or your children like James Bond, Star Wars, Percy Jackson, Artemis Fowl, Harry Potter or Alex Rider, they will most likely enjoy Sean Yeager Adventures.

Read on and find out for yourself… Note: this is an early draft and will magically change during the editing process.

CHAPTER ONE : DISCOVERIES

A solitary Hyperjet raced across a charcoal sky, tracing an unseen path above a maze of brightly lit buildings and streets. It flew between vast, metal and glass structures, banking and weaving in anticipation of each cloud-piercing tower. The pilot adjusted his control stick and throttle. He fought against a strong, gusty wind that sprayed his cockpit window with horizontal lines of rain and violently threw his craft from side to side. He raised the Hyperjet’s nose to gain height and felt his neck and shoulders press hard into his seat. Wincing inwardly, he spoke into his headset.

“ETA two minutes. Get ready, it’s blowing a gale out there!”

“Affirmative,” replied Agents Geist and Stafford in unison.

The Foundation Agents patted their harnesses and pouches several times with gloved hands, each running through a mental checklist of their equipment. Their Hyperjet levelled and approached a sharp, triangular tower that glowed turquoise in the darkness. Circling briefly, it began to hover and descend towards a gleaming spire, using a red flashing light to guide their way. Captain Shaw, spoke on the intercom.

“Okay Gents, remember this is a recon only mission. Get in quietly, collect your evidence and get out. We need to know what happened to our delivery man. The Brigadier doesn’t want any heroics, understood? I’ll circle the area and wait for your signal.”

The agents nodded to each other. They rose from their seats and took up positions at either end of the cabin.

“Understood Vixen, we’ll be as quick as we can,” replied Stafford.

“Seriously, we’re looking for a missing postman?” grinned Geist. “Ok Vixen, take us down nice and easy.”

“I’ll do my best, but it’s going to be choppy.”

“It’s our lives on the line,” added Stafford.

“You don’t say?” replied the pilot.

The agents clipped their harnesses to winch cables and waited.

“Opening doors in 5, 4, 3, 2, open.”

A deafening howl of wind and rotor noise filled the cabin. The floor split in two, revealing the flat, glowing roof of the Adastra tower. It was an area no wider than a half a basketball court and was surrounded by angular metalwork. Agents Geist and Stafford stood silhouetted against the city lights and tightened their face masks. They stepped carefully onto winch foot-plates and wrapped their hands and wrists through loops of cord at chest height.

“Prepare to drop. Are you ready? Geist?”

“Affirmative.”

“Stafford?”

“Affirmative.”

“Lowering Geist in 5,4,3,2, now!”

Agent Geist swung a short distance across the floor and plummeted downwards. He braced himself against the wind and held tightly to his hand and foot holds. The storm blew him in a spiral and he swung four feet above the roof.

“Geist, you’ll have to jump!” ordered Captain Shaw. “I’m not going to risk it.”

Agent Geist groaned to himself and repeated a drill he had practised a hundred times. ‘Grip, release clip, hold steady, pick your spot.’

“Ooofff!!”

Geist leapt feet first and landed firmly on gravel, only a few feet away from a row of blue illuminated skylights.

“Geist in position. It’s freezing down here,” he reported, pulling his assault weapon from its shoulder holster and tightening the strap around him.

He scanned the rooftop through the weapon’s scope. There were no signs of life, only air conditioning units, some solar panels, a few aerials, a gantry crane and the appalling weather.

“Why did we have to pick tonight of all nights?” he muttered, shivering in the cold.

Geist stayed low to the ground and crept a short distance across the roof.

“Vixen, the coast is clear. Give Stafford a shove from me.”

Geist kept watch over the rooftop, constantly scanning for movement. He peered up for a moment at the noisy shadow hovering above. A dark figure fell rapidly from the Hyperjet’s belly. It jerked to a halt, and began to swing in circles. Geist flipped his weapon onto his back and ran across to help. He grabbed Stafford’s winch plate at shoulder height and steadied it.

“Come on Twinkle-toes, show time!” he joked.

Agent Stafford leapt from his platform and fell sideways.

‘Crunch!’

He landed on a blue skylight. A hairline crack extended from the front of his right boot and forked violently across the glass. Stafford stretched out to spread his weight and slowly crawled off the glass on all fours. He rolled onto the gravel.

The two agents waited in silence for an alarm to sound, but there was nothing. Above them, their winch cables rose and vanished into the night sky.

“Geist, Stafford, what’s your status?”

“Vixen, we’re down in one piece,” replied Agent Geist.

Stafford nodded ruefully.

“Vixen withdrawing. God’s speed Gentlemen.”

“Stay close, Vixen,” added Geist.

“This is Vixen, wilco and out.”

********************************************************
Sean and Emily crept into the family room at Kimbleton Hall. A log fire flickered invitingly in a large grate. Above it, on a stone mantelpiece, stood a plain ceramic clock with Roman numerals. It was nearly seven pm.

“Where’s the remote, Em?” asked Sean. “Our film’s on soon.”

“Wherever you left it silly,” replied Emily, slouching into the most comfortable armchair and lying back with her legs curled up.

“Ahh! Where is it?” complained Sean, scouring the room.

He overturned scatter cushions in a frenzy and threw them in a heap.

“Phew!” he said, finding the controller beneath a purple sofa.

There was a creak at the door and footsteps rippled through the wooden floor.

“Not so fast you two,” announced a familiar voice. “We’ll be catching up with the news, if it’s all the same with you?”

Sean hissed under his breath, and hid the remote behind his back.

Emily’s mother, Mrs Campbell, entered the room with her dog, Braveheart, bounding along beside her. She was followed by another set of footsteps.

“Sean, hand over the remote,” ordered Mrs Yeager. “Now!”

Sean grimaced and pretended not to hear. He turned on the TV and selected a movie channel. The film was Raiders of the Lost Ark, one of his favourites. Emily giggled.

“Now look here, Sean,” began Mrs Yeager. “If you want any time on your computer this month, you’ll hand me the remote this instant!”

“Oh, Mum!” complained Sean, throwing the TV controller onto a chair beside her. “It’s so unfair…”

“Enough!” snapped Mrs Yeager. “There’s something on the news I want to see.”

Mrs Yeager selected a news channel and turned up the volume. The first program was an advert.

“That’s right, buy one bottle of Aqua Vervier and get three bottles absolutely free! Aqua Vervier, feel the goodness of life inside you!”

“Stuff and nonsense,” muttered Mrs Campbell.

“If it’s that good, why are they giving it away?” added Mrs Yeager. “And what’s wrong with tap water anyway?”

“It tastes disgusting for a start,” replied Sean.

And it’s full of chlorine and calcium,” added Emily.

“Calcium’s good for you, my dear,” corrected Mrs Campbell.

“Chalk?” replied Emily.

“Shoosh!” snapped Mrs Yeager, increasing the volume to an almost deafening level. “This is it!”

“Today, an exciting Egyptian discovery was announced by the British Museum. Over to our reporter James Morgan.”

“Boring,” complained Sean.

Mrs Yeager ignored him and leaned forwards in her chair.

“Yes Mark, a team of international archaeologists, based here in London, has discovered a long-lost Egyptian temple, with the aid of satellite technology. In this image, you can clearly see a complex of buildings hidden beneath the sand.”

Sean and Emily studied the TV screen. It showed a black and white image with two blurred squares. Inside the squares, were some shadowy lines and around them were a group of irregular blocks.

“That could be anything,” joked Sean.

“So James, have there been any finds at this new site?” continued the anchor man.

“Yes Mark, the team have announced the discovery of a significant number of artefacts, many of which will be displayed in a special exhibition later this month. What is remarkable, is that this site is hundreds of miles from any other Egyptian ruins. Of course, its location is being kept a closely guarded secret.”

“Amazing,” said Mrs Yeager.

“More mummies? Don’t we have enough of those already?” asked Sean.

Mrs Yeager scowled.

“It wouldn’t hurt you to take more interest in history young man,” she replied. “The sooner you go back to school the better.”

“Oh Mum!” groaned Sean.

“Or we’ll have to find you both another tutor,” added Mrs Campbell. “After what happened…”

Emily sighed, and glanced first at Sean and then towards her mother.

“Actually, I’d like to go back to school Mum,” she said.

“Hmm, we’ll have to see my dear,” replied Mrs Campbell

The news program moved on to its next story and showed a home-made video of a meteorite striking a parked car. The car had a huge dent in its roof and exploded shortly after impact.

“And this is only one of a number of incidents,” said the reporter.

“Why? What happened?” asked Sean.

“Listen,” said Mrs Yeager.

“Locals here say that last night there were an unusually large number of meteorites, some as large as a tennis ball. This video was recorded by a tourist and shows a meteorite destroying a parked car.”

“And what other damage have they caused?” asked the anchorman.

“Well Mark, we have reports of houses being hit, a school bus, some trees, and several commercial buildings.”

Sean and Emily giggled.

“What’s so funny?” asked Mrs Yeager.

“We can’t go back to school because a meteorite could flatten it,” laughed Sean.

“Why? Is your school in America?” asked Mrs Campbell.

“Erm,” replied Sean sheepishly.

Mrs Yeager laughed.

“You have the attention span of a gnat, Sean. The reporter was talking about meteorites in America. Okay, you can watch your film now,” she said.

“And I’ll make you some popcorn my love,” added Mrs Campbell.

“Yes!” cried Sean pumping his fist. “Thanks, Mrs Campbell!”
********************************************************
Two men wearing full-length, black trench coats entered a dimly lit restaurant. It was situated in a quiet London side-street. Although it was early evening, and already dark, its first customers had yet to arrive. The men studied several rows of immaculately prepared tables and a handful of eager waiters. Satisfied that the restaurant was safe, one man returned to a waiting limousine, while the other held the door open for an older, distinguished gentleman.

“I’ll wait here, Sir,” he said.

The gentleman nodded, and gave his coat to a waiter. He sniffed at the green ceramic up-lighters and informal décor. It was a bistro at best. In the centre of the room, stood an impressively large aquarium containing a sunken ship. It was brightly lit, in shades of yellow and blue, with constantly rising bubbles. It appeared to contain lobsters with their claws bound. A figure walked towards him.

“Ah Minister, thank you for coming,” announced a tall, slim, white-haired man, who reached out to shake his hand.

“Mr Deveraux, a pleasure as always. Alas, I am pressed for time. I have some important reading to do before tomorrow’s Cabinet.”

“Of course, Minister, of course,” smiled Darius Deveraux. “Shall we?”

A waiter led them to the best table in the virtually empty restaurant. It was set with glasses, napkins, and a small table lamp. The Minister for Interior Affairs sat with his back to the aquarium, and reached for a breadstick.

“So Mr Deveraux, how can I be of assistance?”

Darius Deveraux sat opposite wearing tinted glasses. He beckoned for the menu, and offered the Minister a small bowl of olives.

“I’ll be direct, Minister, it’s The Foundation. I’m concerned they are a great danger to the public.”

“I understand your concerns,” nodded the Minister. “But you realise they have friends in high places, including the Prime Minister?”

Deveraux stretched his pale face into a half smile.

“I can tell you are not a supporter of The Foundation, Mr Deveraux?” added the Minister.

“My concerns are that they spend public money, and have a record of causing damage to public property.”

“Well, let me allay your fears, Mr Deveraux, The Foundation does not receive a penny from the Government. It is entirely self-funded.”

The Minister accepted a copy of the menu and sighed. He scanned it briefly.

“I am relieved to hear it,” replied Deveraux, focusing on the Minister through his glasses. “However, my sources tell me that The Foundation are reckless. Only a few months ago they destroyed an entire shopping mall.”

The Minister raised his right hand in acceptance.

“And the whole affair was thoroughly investigated. It was caused by eco-terrorists. The Foundation was cleared of any wrongdoing.”

“How convenient?” scowled Deveraux. “And who was backing these ‘eco-terrorists’ I wonder?”

Deveraux nodded to a waiter, unseen by the Minister. From the aquarium, there was a gentle sloshing of water. The Minister looked up with a quizzical expression.

“I believe that someone’s chosen a lobster,” he explained. “Are you partial to them?”

The Minister shook his head, and returned to examining the menu.

A waiter stood behind them, and flipped open the aquarium’s lid. He appeared to mentally choose a lobster, but looked startled and quickly backed away. He composed himself and approached the Minister.

“Are you ready to order?” he asked.

The Minister peered over his reading glasses and gave an audible ‘huff’ as he breathed out. Deveraux noticed the waiter’s eyes glow red and nodded to him.

“I need another two minutes,” replied the Minister, shrugging as he returned to his deliberations.

Behind him, a dark shape slowly approached the front of the aquarium, sending lobsters scuttling in all directions. The creature completely covered the shipwreck with its muscular bulk. It was covered in dark, mottled scales, with here and there a few luminous green stripes. It stretched out and extended several long tentacles above the waterline. Using its suckers it climbed and reached over the edge of the aquarium’s thick glass wall.

‘Slap!’

With a sudden whiplash motion, the creature hurled a lasso-like tendril around the Minister’s neck. The Minister sat bolt upright with a startled look on his face and gasped. His veins pulsed and protruded on either side of his throat.

“Are you alright, Minister?” smiled Deveraux.

“Feel my pain!” wheezed the Minister, with his eyes rolling upwards inside his eye sockets.

“Excellent choice, Minister,” added Deveraux. “I knew you would see it my way. The Foundation simply cannot be allowed to continue. Are we clear on this matter?”

The Minister struggled to reply and Deveraux did not wait for a response. He stood and leaned over the table, steadying the Minister’s head with his left hand. The tentacle released its grip and withdrew to the aquarium, as quickly as it had arrived. Deveraux ignored it, and picked up a napkin with his free hand. The Minister groaned quietly as if in a trance, his eyes now shut. Stepping around the table, Deveraux dabbed at a red puncture mark on the Minister’s neck and raised his shirt collar to hide the evidence. Next, he gently lowered the Minister’s head to rest on the table, beside his plate. Deveraux waited a moment, before walking confidently across the restaurant towards the bodyguard.

“I think the Minister needs your help,” he called.

The bodyguard stopped reading his newspaper and crumpled it in two. He looked disgruntled, as if someone had disturbed his rest. Deveraux spoke calmly.

“He seems to be over tired,” he added.

“Leave it to me, Sir,” replied the bodyguard, speaking into a microphone inside his sleeve, and glancing across at his superior.

By now, the Minister was sitting upright and babbling incoherently with a wide grin on his face. The aquarium had returned to its yellow and blue glow, with red shapes wandering slowly across its gravel bed. A waiter stooped to wipe the polished oak floor with a napkin, while another poured water into a bulb-shaped glass in front of the Minister.

“It’s been a long day,” smiled the bodyguard. “He’s barely eaten.”

“Indeed,” replied Deveraux with a smile. “I do hope the Minister will be okay.”

The bodyguard grinned.

“I’m sure he’ll be fine after a good night’s sleep, Sir.”

********************************************************
Agent Geist unclipped a pouch from his webbing. He opened its cover and selected a cutting tool and a spray can.

“Looks like the shutters are pretty strong,” he said. “Lucky for you.”

Geist leaned over the row of skylights. It extended for several paces in a large rectangle, like an ornamental glass pond. Beneath it, he noticed a grid of interlocking metal fins that formed a solid barrier. A faint blue light glowed through some punched holes in the metalwork.

“What do you mean?” asked Stafford, inspecting the glass.

“Or you’d be freefalling into the lobby” explained Geist. “Splat!”

“But it’s toughened glass,” said Stafford. “It cracked, that’s all.”

“Here,” said Geist, passing Stafford a sonic cutter. “We’re behind schedule. Try not to break it.”

Geist motioned for Stafford to cut an adjoining panes of glass. Meanwhile, Geist cut a large oval hole. His sonic-cutter squealed at a high frequency, barely audible to humans. Using a handle with two suction cups, he removed the unwanted glass and laid it on the roof, beside a row of heat-exchange units.

The rain had stopped, but a strong gust of wind nearly blew Geist off his feet. He crouched and leaned into the storm, until the wind had died down.

“So how are we going to get through those shutters?” asked Stafford.

“Watch and learn. If this gel doesn’t work, we’re aborting the whole mission,” replied Geist.

Geist leaned over the first hole and sprayed a fine gel onto the shutters. The aluminium fins spluttered and fizzed, throwing steam and bubbles of noxious vapour into the night sky.

“Stand back!” he ordered. “Or it’ll melt your face.”

Stafford staggered away and nearly lost his balance.

“Of course, that might be an improvement,” chuckled Geist.

Satisfied with his work, Geist repeated the exercise on the second hole.

“Okay, let’s find something firm to hitch onto,” he said.

After several minutes of preparing lines, harnesses and clips, Geist tested their anchor points and nodded.

“Scanners on,” he said.

Stafford shuffled forwards and sat on the window frame, with his legs dangling into an empty space.

“No signs of movement below,” he reported.

Geist sat beside him. A cavernous atrium stretched out beneath them for hundreds of feet. He could just make out a row of elevator shafts in the dim light. Geist felt his heart pounding and checked his harness and line for the third time.

“Remember, we’re heading for the first balcony on the right,” he said. “Last one down is buying drinks!”

Agent Geist cast off into the chasm and whirred down his line, swinging gently as he went. He braked by wrapping his boots around the rope and squeezing with his legs, as the floor approached. Geist landed softly, and quickly detached himself. He took up a position with his back to the wall, and brought his weapon up to his shoulder. Through his scope, he noticed a line of elevator cables and a handrail. Only one of the elevator cars was visible. It was glass-walled and empty.

“Quiet as a crypt,” he reported, scanning the rest of the balcony.

Geist watched Agent Stafford land a short distance away.

“What kept you?” he joked.

“My need to stay alive?” replied Stafford grimly.

“It’s gonna cost you,” grinned Geist.

Geist watched Stafford pull out a sidearm from his thigh holster and check that it was loaded.

The building was strangely quiet and even the gale outside was now a distant rumble.

“Where’s the night watchman?” asked Stafford.

Geist crawled to the edge of the balcony on his hands and knees and peered down into the main lobby. Far below, he could just make out a lone orange spot against a cool grey background. In front of it, stretched a wide, curved desk.

“In the land of nod by the looks of it,” he replied.

“Vixen, we are in position, over,” reported Stafford.

“I copy that,” replied Vixen.

Geist rose to a crouched position and scanned each end of the short balcony through his assault weapon’s sight. It had a neatly carpeted floor with fake plants and little else.

“Okay Houdini, work your magic,” he said.

“I’m on it,” replied Stafford.

Geist stood guard, and watched Stafford run past him to examine a door with a long vertical bar for a handle.

“Where’s the keypad?” asked Stafford.

“Come on, we’re running out of time!” complained Geist, turning around.

Stafford scanned the wall looking for signs of heat and shook his head.

“Do you have any burn gel left?” he asked.

“Sure do, but we’re under strict orders not to leave any mess behind.”

Geist reached into his map pocket and pulled out a pencil-shaped device and threw it to Stafford.

“Magnetic impulse detector,” he declared. “There has to be a locking mechanism somewhere.”

The device flashed green, as Stafford swept the wall on the left-hand side of the door frame.

“Set your blaster to impulse, should do the trick,” suggested Geist.

Stafford fired his blaster at the wall. His weapon hummed quietly, but nothing happened.

“More juice,” muttered Stafford, adjusting the power level.

Stafford fired again and a short flash emerged from a tiny crack in the wall. A small gap appeared in the textured wallpaper and a square flap became visible. Stafford pulled out his combat knife and prised open the outer casing. “Looks like a manual override,” he explained.

“Then fuse some wires, Houdini! We’re late for dinner!”

Instead, Stafford reached inside the wall box and flicked a switch.

‘Hiss!’

The door opened inwards with a sudden rush of air. Geist approached and peered into a dark corridor.

“It’s all clear! Come on!” he said.

The moment Geist took his first steps into the corridor, another door hissed open a few strides ahead. He raised his weapon, fearing the worst.

“Wait!” called Stafford.

But he was too late, Geist passed the inner door, and began to scan the interior.

“Stone cold,” he reported. “I can’t see a thing in here for the fog. It’s colder than outside.”

Geist crept forwards, and switched his helmet scanner to sense heat and movement. The room was dark and full of dense vapour. He noticed a cold, blue pattern on his headset, but no sign of activity.

And it stinks of chlorine. What is this place? A swimming pool?” he complained.

“That’s what we’re here to find out,” replied Stafford. “Come on Geist, raise your game.”

Geist inched slowly forwards through the fog, and heard a dull metal ‘clang’ beneath their feet.

“What was that? Did you drop something?” he asked.

Stafford, turned towards him, with his weapon and visor glowing bright red.

“It’s our boots,” he replied, tapping his foot against the hard floor. “We’re on a metal walkway.”

“I don’t like this,” said Geist. “Take your readings, and let’s get out of here!”

“Sure,” replied Stafford. “Just a little further.”

Agent Geist noticed a tiny flash of red light at ankle height on his left. Stafford took a step towards the beam.

“Stop!” he cried.

‘Bamm!’

The inner door slammed shut behind them and hissed. It was followed by the howl of overhead fans. Soon, the fog began to swirl around them. Geist turned to his right. On infra-red he noticed a distant orange spot, it was joined by a second, then another. A row became visible, then a second row. He flicked his headset to ultra-violet and his stomach sank like a lead weight. Geist realised in horror that they were standing in a vast gallery, four floors high that stretched as far as the eye could see. Each floor held several rows of stands, and each stand held a dark figure wearing a mask, tubes, and a combat suit.

“Stop!” he ordered.

Stafford stood with his weapon raised. Around him, a pale orange glow illuminated the clearing fog on all sides, and a series of dull thuds echoed through the gallery. Geist peered into the mist and saw the distant outline of a dark figure. Behind it stood another. One by one, the figures moved, with their eyes shining red. His infra-red sensor glowed with a patchwork of heat patterns, changing from pale yellow to orange and then crimson.

“Hostiles ahead,” he reported. “This is going to get really messy.”

 

I hope you enjoyed Chapter One of Sean Yeager Claws of Time (book 3 in the series). Please stay tuned for more news about Sean Yeager books.

For more information, take a look at the website at www.SeanYeager.com

Books One and Two are available from Amazon UK and Amazon US in print and e-book formats. Book Three will be ready in 2017.

Happy reading

D.M. Jarrett

 

 

 

 

 

 

Cats without hats and other characters…

One of the most popular characters in Sean Yeager book 2, ‘Hunters Hunted’, is ‘the cat’. Here’s a little insight into how I came up with the character. A sardonic robo-cat who saves the day with ruthless efficiency, complete with deadpan one liners and no prisoners taken. Truly a Clint Eastwood among cats.

Years ago I was given a pet. Or rather my parents came home in the early hours from a party one Sunday morning with a tiny kitten and I was instructed to look after it. It was a tiny ball of black fur with bright blue eyes and liked to suckle my jumper. Being young, I thought it was cute and cuddly. I guess it was. Little did I realise.

Over the months and years ‘Bozo’ grew up to become a green-eyed cat with predominantly black fur flecked with brown. He still liked to cuddle up to some body warmth and developed a mean streak a mile wide. If you moved Bozo when he was comfortable he would dig in his claws. All of them. He would still seek out a warm lap though. My best friend was terrified of our cat. I was secretly proud. Especially when Bozo climbed up onto my friend’s lap one day… He screamed like a girl and begged to be ‘saved’.

Famous incidents included the time Bozo climbed onto our bungalow roof via a garage and a leap between two buildings. He had figured out that birds liked to nest near the guttering. I noticed this when he leaped fully into the air to try to catch one. A blue tit I think it was. Like a cartoon Bozo soon realised he could not actually fly and landed heavily on his padded feet. Fortunately, the birds escaped unscathed, but not for long.

Bozo kindly gifted us a number of animals during that time. Usually on the back door mat.  A mouse who had mislaid its head. An adult pigeon which promptly tried to escape from the dining room and nearly made it. Feathers flew everywhere and there was a lot of screaming. And bizarrely a full-sized rabbit. We never did figure out how Bozo managed to catch and drag the rabbit home.

One day, a dog came to visit our house, a little yappie thing with a friendly disposition. It was all sniffs and licks and wagging tail. Pleasant enough. Probably a small spaniel or similar. It trotted around confidently and checked out the house. In the living room, it came across Bozo perched on a settee. Bozo sat there nonchalantly with barely a flicker of recognition. I think the dog was just being inquisitive. It sniffed around the room and trotted over to see if Bozo would play. There was hardly a sound from either animal. The dog seemed harmless enough and Bozo just sat there barely twitching his nose. The dog approached and sniffed right under Bozo’s chin which I thought was brave. In a split second, Bozo raised both paws, extended his claws and dug them into the dog’s skull just above its eyes. The dog howled and howled, while Bozo remained static with a demonic look in his eyes. We had to prise them apart.

Bozo’s finest hour was undoubtedly when he decided to perch on a warm car. Not the bonnet (or hood) you understand. He sat up in the wheel arch near the engine mount out of sight. He remained that way for possibly half an hour. Until, mother dear started the engine and drove away. I have never seen an injured cat move so fast. He sprinted down the garden path at pace with an obvious limp. When we eventually caught up and ferried him to the vet, the news was surprising. He only had a stress fracture to one bone near his left hip. We were told to keep him house-bound and well fed. Bozo tried his very best to escape at every opportunity and made a complete recovery.

So there you have it, a little insight into an unusual animal and the inspiration for one of Sean Yeager Adventures’ most popular characters. I have had requests to continue his involvement in the series. For book 3 I have a cunning plan or two lined up and a couple of surprises.

We came to believe (rightly or wrongly) that Bozo was half a domesticated cat and half a feral or wild cat. Whatever the truth, he was a brave and adventurous animal. I would say pet, but I rather think we were Bozo’s pets at his command. By comparison, other families’ animals were bland. There’s no question and no doubt, Bozo was the toughest cat on the block!

D.M. Jarrett

Sean Yeager Adventures website

Buy Sean Yeager Adventures

Amazon reviews:www.seanyeager.com

Fast-moving, action-packed and humorous

Make this into a movie now!

Buckle your seat belts!

This story reads like an action ride and I enjoyed the ride

Self publishers – how to reach your future readers…… tips and learnings

Hi,

I thought I would share a few learnings before I start taking what I have picked up for granted. After many hours I’ve learned one thing more than anything – authors need to keep learning and connecting with their readers and peers. Because self-publishing is a constantly evolving enterprise and world.

How to reach an audience online? Partly it’s about luck, mostly it is about toil and being interesting for your audience.

Here in no set order are some tips. I hope you find them useful.

1) Set-up your own website with your own branding and content relevant to your books. Cross-link your online presence in all directions with your website as the hub. Brand your website and link to reviews, sales points, samples and everything else you can think of.

2) Make absolutely certain that your books are as good as you think they are AND as good as they can be. Find some critical readers and correct ALL the typos, mistakes and rubbish parts. Polish, polish, polish. IF the feedback is poor or ‘iffy’ STOP. Re-write your book until it shines under all lights. If you cringe when you read back a section, it is because it is not good enough, YET.  Or it might need to be cut out completely……

NOTE: Omit this step at your peril. Bad reviews can not be deleted later when you attract a level of interest. If your book(s) suck paying customers really will tell you so….. and in so doing tell the whole world. Plus you could spend a lot of hours promoting yourself and your work with a relatively poor product to sell. And that will ultimately prove painful.

3) Join a group or two of like minded self-publishers. I recommend the Alliance of Independent Authors. This will help you to stay in touch with developments, meet helpful people and ultimately keep you relatively sane. And contribute what you can in return as well – it’s good for the soul.

4) Set-up and use Twitter, being authentic, interesting and book / fiction centric in the main. Your aim is to connect with people who can help you, read your work and people you can help in return – by entertaining them with great books or sharing learnings.

If you use Twitter automation tools be aware that Twitter could suspend your account. So be careful and as low key initially as you can be. I do not recommend buying followers or for that matter book reviews.

5) Set-up and use Facebook. Create a Facebook page for your books. Upload interesting content and cross link to everywhere. Friend authors, readers, book clubs and anyone you reasonably ‘know’ or share an interest with. Avoid complete strangers and people peddling non-book stuff.

6) Set-up and use Goodreads. Become an author and ‘claim’ your books. Use the groups to make connections. If you have print copies, create ‘giveaways’ over a 2 to 3 month period. Use a ‘pull’ model to attract and invite interest. Do not chase or hassle on Goodreads, they don’t like it! They could bar you.

7) Set-up and use Librarything. Load your books etc. Use your Bio (that you created way back for your website) and run e-book or print giveaways.

8) Set-up and start writing a blog. Use it as your own lessons learned log and a way of talking about your journey. It’s your blog so experiment with the style you prefer. Do you want to be a book / writing tips consultant? Or maybe a reviewer / blogger? Or perhaps a commentator on a particle genre of media that ties in with your books? Your blog. Your call.

9) Keep writing your books. All the above is pretty much useless until you have written your next and subsequent books. Why? Because it will take you time to do and you need multiple titles to cross-sell to your audience. Satisfied customers will ask – ‘when can I read the next one?’

10) Commercials matter. Price appropriately and DO NOT give away too many books. You are a business and you do not want to promote yourself as a ‘free writer’ who values their work as only good enough to give away. Possibly run promos for limited periods across titles, possibly have a sacrificial promo title that will always be free. Remember basic maths – making one thousand bucks is a whole lot easier if you are charging 2.99 than if you are charging nothing or 99 pennies. Remember, the big indie authors usually have lots of titles and a huge audience. You don’t. Yet.

11) Monitor your SEO and presence online by regular Google and Bing searches. Check what sites are moving up the rankings and promoting your work. Your work will still have to sell itself ultimately, but your page rankings matter if you want to attract browsers. You will also have to take a realistic look at your book market and Google Adwords analysis of terms ‘searched for’ can be a sobering exercise. Are people really looking for funny books about duodenal ulcers and the family consequences? That’s not a dig, but you do need to be realistic about your market expectations. Not every genre sells and that’s a reality.

12) Treat all your online contacts (messages, posts, responses, emails) in a consistently jovial and constructive manner. Never enter a slanging match EVER online. Because it will not go away, it will be recorded for a long, long time. Ignore bad reviews; block inappropriate followers and comments; delete what you have control over if it is plain abusive. HOWEVER – leave constructive comments alone and learn from them.

13) Write this out and repeat it daily. ‘I will learn more from a constructive and harsh critic of my work than I ever will from my friends’.

It’s true. You will. It will hurt initially, but you have to learn how to open your mind to the reality that no one’s work is perfect. Everyone can improve how they write, how they plot, what they write about etc etc. Even the pros. Check out any successful book’s reviews on Amazon to see the array of thoughts if you don’t believe me.

And of course you can select which parts of the feedback to action. Often people will give conflicting suggestions, so look for the patterns. Consider whether they have a point. (That is after you’ve (privately and offline) fumed and vented your initial reaction).

14) Last and by no means least – be yourself across all sites, media and in the real world. Have fun and consider all the new skills you’re learning as positives. In theory, you could now promote almost anything online. You will also have to learn firm time management and how to stay healthy – another time perhaps for those topics.

Good luck

David Jarrett

Sean Yeager Adventures

Sean Yeager Hunters Hunted

Sean Yeager Hunters Hunted

So how on earth do you reach new readers with social media?

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Welcome,

Today’s big question is an ongoing experiment in social media and content promotion. Yep, you guessed right first time, I’ve no clue how you reach anyone including my own family on social media. By ‘reach’ I mean to make a meaningful connection with as opposed to randomly spam or annoy. ‘Reach’ as in – interest them enough to go to your website, read a sample of your book and perhaps consider a purchase. Because they want to, not because of a guilt trip, pity purchase or a clever bit of key word marketing and coding.

So here’s my run down so far in relation to my experiences promoting Sean Yeager Adventures Admittedly on a zero budget and now with two entertaining books published. And let me tell you – the writing was the easy part, the reviewing was horrible but way more productive than attempting ‘social media connections’. As I joked recently, ‘I could sell more books standing next to a motorway than via social media’.  And it’s not about some mental block thing or lack of trying – there is a giant, electronic, elephant in the room.

Amazon – virtually useless, search engines optimised for top sellers only. It’s a shop for the top, period. You’ll be dead before someone finds your book or Kindle board note. And then it’ll be a mistaken browser looking for someone else. Catch-22 is – they don’t know you, so they won’t look for you. Your book may as well be buried 300 feet beneath the ocean,

KDS Free days – virtually useless. So you give away free books, then what? Sales spike and all is well? Dream on. It might work for big name authors with tens of books in their canon, for the rest of us I doubt it is of any use at all. It also devalues the writing and the book. Also a great way for pirates to obtain content without doing anything remotely clever.

Twitter – virtually useless, an echo chamber of people selling stuff to other complete strangers who are selling stuff to complete strangers. Might work for ‘real’ celebrities, if we can glean who they are online these days. Could be their cat for all we know. More likely an impostor or an intern with a crush.

Facebook – virtually useless, a cage of rules for not bothering people and then a non-stop stream of content from people who like to transmit. Always best when you have no idea what  on earth the original event or question was – all you see is a response and some pictures. Right, for light relief of the comedy kind it’s okay, that’s all I seem to see. Jokes, viral images and comments. The spam you learn to look through and ignore. And why wouldn’t you?

Facebook has some great info groups online. Promotion – forget it.

Yes Facebook do advertising, unfortunately they do a really bad job of explaining to me why I should pay a bean for it. Free trials, stats, breakdowns – it’s not happening for me and yes of course I’ve a zero budget anyhow. Social networking and connecting? Not any more, you could throw some money into the void and pray. Now that’s a sound business investment decision right? Not on my planet.

Linked-In – fine for articles and groups, rubbish for promoting fiction. Another echo chamber.

Goodreads – good for presenting stuff, great for giving away stuff. I’ve yet to be convinced that anyone actually buys and reads unknown fiction as a result. Maybe some people do.

Scribd – good for presenting stuff, great for giving away content. I’ve yet to be convinced that anyone actually buys and reads unknown fiction as a result.

Librarything – ditto, seems to be for ‘serious fiction’ really. Held breath and died before anyone read a simple posting. Now a ghost haunting the site out of morbid interest.

Book Blogs – difficult to judge, no one is interested in reviewing Sean Yeager as it’s an adventure /  sci-fi book. (Yep, real niche stuff alongside underground stuff like Star Wars, Star Trek etc) So de facto useless, but it may work if you write books that are reviewed and hence promoted on book blogs. Which seems to be anything written for a female audience and blogged about by a lady with a love of books (who also happens to write romantic supernatural stories about vampires and men with six packs and no clothes on (I blame the TV) )

That’s all for now, I’m off to the pub for some research, And a primal scream.

AHHHHHHHHHHH!

That’s better.

Happy reading

D.M. Jarrett

It’s not a matter of life or death, it’s more serious than that……… the riddle of unloved sci-fi

Sean Yeager and the DNA Thief Cover, available now at Amazon, Kobo

Following a late night debate over a beer or two, I recently researched the best selling films of all time

I like all kinds of fiction and non-fiction in films, TV and books. I like comedy, horror, adventures dramas and such like. I only draw the line at ‘crud’ and the majority of chick flicks. So that also rules out anything Twilight related. (Yes I can’t stand them – for me the Underworld series is a far better story)

I began writing Sean Yeager Adventures because it felt right and because it arose from my interests as a youngster. We used to have no end of sci-fi on TV: UFO, Dr Who, Star Trek, Blake’s 7. And at the lighter end we had Danger Mouse, Thunderbirds, Captain Scarlet and many more. I guess some of it rubbed off and then Star Wars happened…

So back to the film stats. It turns out that nearly 1/3 of the top selling films of all time are sci-fi and they account for just under 1/3 of the gross income for the top 50 (that’s about 28% or $13.2 Bn).

The big winners are of course well known:

  • Avatar
  • Star Wars
  • Transformers
  • Inception
  • ET
  • Jurassic Park
  • The Matrix

To which we can add other big films like the Terminator, Alien and Star Trek series who fall outside the top 50.

And my point is?

Simply this – how come there are so few top selling books that are sci-fi?

I don’t believe for a second that sci-fi lovers don’t buy or read books.

Happy reading

D.M. Jarrett

To boldly go where no man has gone before……….. Sean Yeager in print now

Sean Yeager and the DNA Thief Cover, available now at Amazon, Kobo

After months of crafting, designing, huffing and puffing… Sean Yeager and the DNA Thief is available in deluxe print!  Hurray!

Deluxe because it is a 6×9 inch book size which shows off the cover and makes it very easy to read.

For those who don’t already know – the book series is a mixture of adventure, comedy, action, science fiction and mystery. A bit like a cross between Young James Bond, Men in Black, Star Wars, Artemis Fowl and elements of Monty Python / Red Dwarf / Hitchhikers Guide. We’re not in Star Trek territory yet. Watch that space though, Star Trek is converging all the time…

The DNA Thief sets the scene at breathtaking speed and Hunters Hunted is set to build on the mysteries and action  in a big way.

It’s a big milestone for us and very soon we’ll be speaking to libraries and bookstores about stocking the physical books. It’s funny there is something about holding print in your hand that makes a real difference….

Meantime, on with the series. Hunters Hunted is nearing completion and will see the light of day first as an e-book initially with print to follow.

Happy reading

D.M. Jarrett

 

 

 

 

 

 

www.seanyeager.com

It’s life Jim but not as we know it …….. villains never give in

Just like my evil nemesis Egbert Von Krankhausen I never give up in waving a virtual flag at those readers who are seriously missing out on a good thing. I mean come on everyone over here! Aren’t you bored of vampires yet? Sean Yeager awaits! The true spiritual successor to Parry Hotter and Dartemis Owl.

In a move that is bound to spread tremors and tsunamis across the world I am transporting Sean Yeager to a whole new dimension for the holiday period. A dimension of lending. That’s right the Kindle lending scheme. Now you have no excuses – read and enjoy!  Or I’ll send Krankhausen after you…..

Is it life Jim or is it opting for the inevitable? I’ll beam up again soon with news from the front. One thing is clear there will be no cosy little romance picnic to spoil the action. Yes that is a direct dig at Star Wars who made me cringe for what seemed like eternity with that dire excuse for a love story between ‘To be Darth’ and ‘Oh look I’m pregnant with twins and the best sci-fi gizmos and forces ever can’t save me’.

With Hunters Hunted steaming up the mirrors and generally leaping off the page to climb new mountains, The DNA Thief will soon be joined by another. Yes folks its going to be Empire Strikes Back time. Aliens with a plural instead of the singular dark, shifty stomach ache and pregnancy metaphor. (Ouch!) It’s building up nicely into a spaghetti car crash of gargantuan proportions. Try saying that quickly!  (“That, that, that…..”)

So in the run up to Happy Holidays of all colours and creeds consider this: Sean Yeager is out there somewhere hiding from his enemies and hoping that Santa isn’t laser blasted to a crisp by his trigger happy protectors. (Could be worse, have you met Krankhausen? Now he has some serious personal issues man!)

Happy reading

D.M. Jarrett

Sean Yeager takes over the world….. the story so far

For those of you who are new to reading this blog (and that’s several billion of you) a quick recap.

Sean Yeager began when I was trying to find some quality reading for my son. I struggled frankly. I was looking for an entertaining read that didn’t insult his intelligence and I failed.

So I listened to what he was interested in and I went out again to look for something with him. In the end I let him choose. We bought some books and they were okay but not great. They were mostly read and quickly forgotten. One was dumped completely as ‘boring’. Eventually we settled on Harry Potter as being the best all rounder. (And to this day my main role model in a book alongside Bartimaeus).

We talked some more and I wrote some short stories for my son about a boy called Sean Knight and how we helped to save the world. Surprisingly these were so well received I had a demand for a ring binder to store them in and some regular discussions about the characters and their gear.

I shared the short stories with some friends to gauge how well they worked. Was it just youthful enthusiasm? The feedback came in and it was mostly positive. The stories seemed to have something. People understood the concepts and liked the angle.

Next I did some research –  I figured out the market, costings and what I could achieve realistically. I also set about finding an illustrator and began sketching some ideas myself. My first attempt with a cover designer was okay and I sort of received what I commissioned. I was chuffed to begin with.

So I sent out loads of unsolicited submissions to agents and publishers. Not a single one was even vaguely interested in what I had written. Actually I fib, one sent me a vaguely positive rejection letter  that implied they might consider my work sometime later in the year. Needless to say I did not receive any follow-up inquiries or feedback. Perhaps strangely I was not surprised in the least. I thought ‘this is why most of the books in the shops don’t sell very well’. Not that I thought my short stories were exceptional, more that no one would even recognise the gap in the market I was aiming for.

Following a particularly ‘can’t be bothered’ piece of feedback from an agent I made a decision. I decided to take on the full responsibility for producing a professional product myself and to act like a professional. I set values and goals. I costed out the proposition and I researched. I planned to write two books inside a year and publish them in e-book and print. I also aimed for top quality plotting and writing together with top quality design and illustration. I realised it would be tough and I  also realised it would take a lot of work. As it turned out I was right on both counts you need a lot of determination and a thick skin to be a writer.

And that is where Sean Yeager and the DNA Thief began. I decided to change the character’s name because of a character called Sean Knight in a Mage comic. I wrote to the creator and in a trend that I have become very used to I received no reply. So I thought, ‘you know what change the name anyway and keep it straightforward’. In a way it was probably a good thing but at the time it was a complete pain to find and be happy with a new name.

I wrote and revised for several months until I felt the first novel was complete. Several revisions and corrections later I lent it out to some beta readers and held my breath. The feedback was consistently positive with some helpful suggestions which I applied to the next revision. Being a whole lot more involved than a short-story I realised that the plots and characters were equivalent to a film script. I figured ‘why not?’ So I set out to write so the stories are easily adaptable to film and yet quirky at the same time.

Which brings us almost up to date. I found a very talented illustrator and commissioned a new cover and some interior images. The interiors became material for website and posters when I realised how expensive colour printing can be. Needless to say the second cover was massively better than the first and you can see it above.

Sean Yeager Adventures has an e-book on each of the major sites a website, a blog, twitter, facebook, even a spoof advert on youtube and various postings all over the internet. Do any of them attract readers? Good question. If people want to find out about Sean Yeager I believe they can and will. So probably. Will social media sites sell people the books? I think people decide for themselves in the real world. I encourage people to read the free preview and see the website. And guess what? Many of them do. Soon they will be able to hold a printed copy in their hands (hurray!).

Yes Sean Yeager will soon be arriving in print. Then libraries and then (hopefully) some high street shops and book clubs. Meanwhile the second book is nearing first draft completion and promises to be every bit as good as the first and more expansive. Perhaps by the fifth draft it will reach the light of the internet and print outlets. When the quality is good enough that is.

So Sean Yeager takes over the world….. yes he does. It’s what the series is all about. I’ve set my aims high to entertain, stretch minds and be as good as the best. All that’s left is the blood, sweat and tears to push on and achieve those goals.

And why have I done this?

Because I believe readers deserve a really compelling book series and it all goes back to what my young readers told me they wanted to read about. I also have a ball writing the stories which makes up for the rejections and emails I’ve sent that have gone unanswered. I laughed recently about The Beatles’ first rejections, it clearly happens to everyone.

Yesterday I took some promotional postcards to a school and a boy asked for another one because he lost the first. He’d yet to read a word of the story and yet he loved the idea of the book simply based on the cover. Priceless.

Yes, Sean Yeager is taking over the world, you heard it here first.

Happy reading

D.M. Jarrett

Writing tips …….. hot from experienced writers

Hi, just a quick note while  things are still fresh. I attended a writer’s gathering today with some very successful professional writers. Some key points I took away, which based on my humble experience writing Sean Yeager I can confirm are good advice are:

1) Characters are the backbone of your story, more so than plot they will shape and carry your ideas. Build them, understand them, listen to them and follow where they lead you.

I can vouch for this personally now that I have my own Sean Yeager characters baying for action and plot twists of their own in book 2 Hunters Hunted. Some even want their own stories written (steady on there!!!).

2) Write free-form or with structured notes and try mixing up both methods for best effect. Never be afraid of trying what works best for you, writing is like daydreaming with words.

I can vouch for the mixed approach – try a bit of both because it gives confidence that you know where you are heading while at the same time giving freedom to develop the story as you progress.

3) Whatever you do sit down and write. It’s all about practice and improving what you write therefore you need to do it if only for a short period every day. Never pretend you need a muse to write.

4) Be disciplined and write to a deadline, if you have professional aspirations write like a pro and get the job done. Publishers will set deadlines and therefore you need to learn to write to them yourself.

5) Expect to hone your language and be edited it is a necessary part of the process no matter how great you might think you are at writing. Or put another way – all the best books are reviewed and revised into greatness. (I picked that latter part up somewhere)

6) Develop a steel skin for the inevitable criticism and rejection, they come with the territory. Better still ignore reviews and concentrate on the constructive feedback you receive.

7) Whatever you do keep sitting down and writing (yes it is a repeat tip and it is deliberate)

8) Look after yourself – your posture, back, wrists, health they all matter. Remember a healthy body is a healthy mind. Or put another way – It’s a marathon not a sprint. (my comment added in there).

9) Figure out your own place of writing and what works for you, make that place your own and relax into it – other professions have lucky places / objects too

10) Research thoroughly or you’ll be caught out. Enjoy it as well it is a perk of the job.

11) You need to read other books as well to write. Why? Well this took me a while to figure out – my conclusions are –  Because you need to focus on use of language, stretch your own writing muscles and to gauge the benchmark or better still inspirations for your writing. Getting into the zone is best achieved through both writing and reading quality books.

12) And my personal favourite – ALWAYS carry a notebook, write down what you see, hear smell, think. Anything useful to your world of creating stories. Then collate the best ideas in your home book or spreadsheet. Personally I go on long walks and ask questions of my story and write down the answers such as – So what about x? What’s the story about? Why should anyone care about x? What’s the strangest thing that could happen next? etc etc.

I hope you find these tips useful, they certainly resonated with me.

Happy writing and reading

D.M Jarrett

What is ‘good’ writing?

D.M. Jarrett author of Sean Yeager Adventures muses on the balancing act of what makes writing ‘good’.

Recently, I signed up to review another author’s book and while I’ve yet to begin the task it has me thinking. I’m wondering about what to comment on in the review and what my yardstick should be. Should it be about the standard of the writing or my impression of the work as a reader. Should it be about the plot or a combination of all the above? It’s tricky. And then of course I don’t want to be too kind or too cruel because I’ve been through the hours and hours of creating a work until you are sick of the sight of it. (Temporarily sick of course).

I have found in the past that when you are involved in something (such as writing, designing or music) your focus shifts and you become almost incapable of stepping back from the small details to see things as others do. It’s almost a curse. Yes I quite like that song but rhyming ‘fall’ with ‘crumble’ and ‘stumble’ is making me feel ill. There was once a song I heard so many times that it could almost induce physical vomiting whenever the first few bars were played because I hated aspects of it so much. Fortunately, someone eventually culled it from radio play lists and there was a suitable parody (but it didn’t go anywhere near far enough to my mind.)

So what is ‘good writing’? Would you recognise it knocking at your front door and inviting itself in for dinner? It’s a tricky one and no doubt liable to split academics down the middle let alone bloggers. So I’ll settle for giving my thoughts as subjective as they are:

1) Readability – I look for a good smooth read which flows and is relatively easy to follow. I’m not keen on heavy reads where I have to repeat read sentences to understand the intended meaning. Neither am I keen on use of language which fails to paint a picture in my head. I find it’s working when I almost forget about the words and I’m carried away with the ideas and events being portrayed.

2) Plot – I always want to know what’s going on. I absolutely hate being taken on a wild goose chase with characters who have no clear fit to the flow of the story. Some authors drive me nuts with lengthy parallel plots where inevitably one is preferable or more entertaining than the other. And worse when it all comes together at the end in a giant twist. More than likely I’ve given up caring by Chapter 5!  Okay it can be clever, but I don’t like being sold a pup as a reader. Leave out the dull stuff and keep me enthralled or laughing or scared. I actually really, really, really, do not care what the characters have for breakfast or what they think of their father unless it is directly relevant to the plot line.

3) Genre & style – I’ll read almost anything but it has to evoke emotion for me to want to read on. It can be any of the main reactions – laugh, cry, tremble, be excited, be amazed – preferably several of them at once. However if a story does not make me want to care then (unsurprisingly) I won’t bother to care and may well put the book down. I’m not big on concept books or shallow books unless they bring out a reaction and I find the best books work on all these levels, so I choose to read them instead.

4) ‘Universe’ – I enjoy being taken somewhere else during the read. Sometimes it can be the best part of the book for me. I still want to feel and read easily, but if the places and events are sufficiently interesting it can carry an otherwise poor plot. There are several books I’ve read where the style and setting were on reflection far better than the eventual story which in some cases was actually pitifully poor, predictable or worse unremarkable.

5) Use of words – I would imagine my vocabulary is about average for a graduate, nothing amazing and a reasonable understanding of less common word meanings. I like seeing interesting words in books where their meaning flows well and adds something, it restores the brain a little. On the other hand, there are some writers who find it necessary to use obscure language and structures, which not only cloud their intended meaning but also irritate the hell out of me. Ironically, I don’t mind if they invent words so long as the meaning is disclosed, but force me to reach for a dictionary more than a couple of times and I’m unlikely to forgive the  book. And never write in slang or phonetic language to evoke a character unless you absolutely have to, which is still never. A few odd words here or there will do. But frankly I’m not interested in how clever, clever it is and in one very notable book it is completely wrong in context as well. As in totally implausible and unnecessary.

6) Overall impact – This is probably the most personal aspect for any reader I would guess. My preference is to have a positive overall impact because it feels like a chore if you’ve read a sizable book to arrive at a negative or unclear ending. I hate endings where you have to guess what the outcome was and I also dislike endings where it’s a laboured denouement with all loose aspects closed off. A short third act with a clear outcome tending towards positive, or at least hopeful, usually does it for me. All the better if there is a plausible twist at the end. Best of all show us an ending we could not possibly have thought of ourselves and which makes sense.

7) Deus Ex Machina – Otherwise known as cheating with plot twists and outcomes. Makes my blood boil and has been known to spoil books and films completely. Unless we’re in a fantasy and magic genre, I really don’t want to read about impossible escapes and invisible plot devices that only arrive in the last few pages. ‘It was all a dream’ has to be the worst of the worst excuse second only to ‘they imagined it all (the whole story) in their last moments of life’ . Err nope I’m calling the plot police and charging the writer with abuse of writer privileges. The bond between writer and reader (in my opinion) is that the reader is not to be short-changed on page 450 (or whatever) having read the previous build ups and tensions. Nor do I like the swings into the absurd that pepper so many films. e.g. despite being shot 15 times our hero managed to climb a mountain appear at the last second inside a locked building and save the helpless captives, all because he is the hero. No stop right there! Call the plot police! Shoot on sight with nuclear, water cannon, toffee apples (yes it’s easy to cheat isn’t it?).

So your honour, the subjective terms of ‘good writing’ have mostly to do with what we personally want from a book. ‘Incredible, how did you figure that out?’ the jury cried. Make us laugh, cry and jump then give us a decent resolution. Easy huh? (err yeah right).

In the meantime, I’ll do my best and reach for the birch twig each time I catch myself breaking one of my own  rules. (Anyone have some bandages and liniment going spare?)

Happy reading

D.M. Jarrett

Sean Yeager website